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Jaque de Cambrai
Jaque de Cambrai (''fl. c.'' 1260–80), sometimes Jacques, was a trouvère from Cambrai. He composed four ''chansons courtoises'', one ''pastourelle'', six devotional ''chansons'', and one Marian ''rotrouenge''. The Berne manuscript preserves all his works, nine of them uniquely. In addition, a chanson and the pastourelle are preserved in the manuscript Oxford Douce 308 and one of the devotional songs is also copied in two other sources.〔See Rivière, ed. 1978, p13.〕 The Berne manuscript notes that his ''Haute dame, com rose et lis'' was modelled on (i.e. a contrafactum of) ''Ausi com l'unicorne sui'' by Theobald I of Navarre and ''Mere, douce creature'' on ''Quant voi la glaie meure'' by Raoul de Soissons. Otherwise none of his music survives, though staves for its transcription were prepared. Of all Jaque's works, only his ''rotrouenge'', the ''Retrowange novelle'', has no model mentioned in the manuscripts; its rubric reads only "Jaikes de Cambrai—De Notre Dame" (Jaque of Cambrai—On Our Lady).
Jaque's devotional songs emphasise Jesus' humanity and his Passion. These may be directed at the Cathars, who denied Christ's humanity. Jaque was one of the last medieval French poets to express his devotion to Mary primarily through ''chansons'', that is, modelled on the ''chansons courtoises'' or love songs. After him the tendency was to use the ''serventois'' and even later the ''chant royal''.
==Table of Marian poems and their models==
The following table is derived from O'Sullivan.
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